#conceptualart Instagram Photos & Videos

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  • Low key hand. By coincidence I saw @ohwillowwaly posted something similar tonight too! (I think hers is better though...) Model: @07_katie_17
  • Low key hand. By coincidence I saw @ohwillowwaly posted something similar tonight too! (I think hers is better though...) Model: @07_katie_17
  • 14 1 23 hours ago
  • I was #pencil sketching some LEGO pieces with my son, and chopped it up a bit. I can’t just leave it as just the original, this process is therapeu...
  • I was #pencil sketching some LEGO pieces with my son, and chopped it up a bit. I can’t just leave it as just the original, this process is therapeutic. I mean of course I leave the original, but I like maximizing my efforts and to squeeze all the juice out of the fruit, ya dig?! I eat the orange but also make a spritzer while I’m at it! Haha 😘 #pattern #design #futuristic
  • 32 1 23 hours ago
  • #tb to my days working with @camillagraniello . She's a real talent and keeps things real. She was always pacient with me while I was learning the ...
  • #tb to my days working with @camillagraniello . She's a real talent and keeps things real. She was always pacient with me while I was learning the skills of the trade.
  • 38 1 23 hours ago
  • I was honored to be featured in the Community Exhibition at the Slipe Gallery. Thank you to everyone who came and had supported me and my work :) I...
  • I was honored to be featured in the Community Exhibition at the Slipe Gallery. Thank you to everyone who came and had supported me and my work :) I feel very grateful for all those around me
  • 55 7 yesterday
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🔺️Naming the Money 2004
Installation view of Navigation Charts, Spike Island, Bristol 2017🔺️
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🔷️#TurnerPrizeWinner 2017
🔶️#L...
  • . 🔺️Naming the Money 2004 Installation view of Navigation Charts, Spike Island, Bristol 2017🔺️ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ 🔷️ #TurnerPrizeWinner 2017 🔶️ #LubainaHimid Lubaina Himid was born in 1954 in Zanzibar, Tanzania.  Himid makes paintings, prints, drawings and installations which celebrate Black creativity and the people of the African diaspora while challenging institutional invisibility. She references the slave industry and its legacies, and addresses the hidden and neglected cultural contribution made by real but forgotten people. In Naming the Money 2014, 100 cut-out life size figures depict Black servants and labourers who Himid individualises, giving each of them a name and story to work against the sense of the powerless mass. She often takes her paintings off the gallery wall so that her images become objects that surround the viewer. Whether working on Guardian newspapers or directly onto porcelain tableware, Himid continually subjects painting to the material of everyday life in order to explore Black identity. 🔻tate.org🔺️ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖
  • 235 14 2 days ago
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Italian artist #MassimoUberti creates large-scale light installations that look like simple drawings. Using neon tubes and transformers, his site...
  • . Italian artist  #MassimoUberti creates large-scale light installations that look like simple drawings. Using neon tubes and transformers, his site-specific pieces depict everyday objects, such as a window frame, chair or table. Speaking of the inspiration behind his work, Milan-based Uberti says in an interview: “I like to create architectures of light. I employ neon tubes to build places for poetical inhabitants, trying to create dream-like spaces that allow for reflection.” ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖
  • 322 20 3 days ago
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🔺️سری زمین شناسی🔺️ اثر #مارکو_گریگوریان#MarcosGrigorian 🔺️
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🔶️نقاشی معاصر ایران: مدرنیسم یا نوآوری؟ (بخش پایانی)
🔷️#روی...
  • . 🔺️سری زمین شناسی🔺️ اثر #مارکو_گریگوریان #MarcosGrigorian 🔺️ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ 🔶️نقاشی معاصر ایران: مدرنیسم یا نوآوری؟ (بخش پایانی) 🔷️ #رویین_پاکباز نقاشی معاصر ایران از جنبش مدرن اروپایی مایه های بسیار گرفته است و حتی در مواردی سبک ها و گرایش هایی را مورد تقلید قرار داده است. حاصل این بهره گیری ها به صورت نوآوری هایی بدست آمدند. ضیاپور در ساده سازی شکل ها و کاربست این روش در موضوع ها و نقش مایه های ملهم از هنر دوران قاجار و هنر قومی و روستایی، مارکو گریگوریان در کارهای اولیه اش در تجسم قوی از موادی چون خاک و کاهگل و پلی استر، هانیبال الخاص در روایت گرایی رک و بی پیرایه مضمون های اساطیری، سپهری در مکاشفه ی شاعرانه طبیعت و... این نوآوری ها همچنان ادامه می یابند و نقاشی معاصر را غنی و غنی تر می سازند. اما سخن صرفا بر سر این نیست که تمایزی میان مدرنیسم و نوآوری قایل شویم. بلکه می توان از آن به مسئله ی دیگری برسیم یعنی بحث پست مدرنیته که داغ است. در سالهای اخیر در محافل هنری و بخصوص در دانشکده ها با بحث پست مدرنیسم، مدرنیسم پسین یا مدرنیسم نو رو به رو هستیم. در واپسین سالهای قرن بیستم اصول و ارزش ها یکسر دگرگون شدند و برای آن که با زمانه همگام باشیم باید گرایش های دهه های اخیر را بشناسیم و یا تجربیات هنری خود را با این گرایش ها تطبیق دهیم. چنین است که توجه خاصی به هنر کانسپچوال مبذول شده، ایده های هنر اجرا و اینستالیشن در ذهن ها می آید و اجرا می شود. بی شک این شور و جنبش لازم است چرا که حساسیت های ما را به حال و آینده بشر نشان می دهد. اما به راستی می دانیم که در پی چه چیزی هستیم و چرا؟ در جامعه ای که درگیر و دار گذار از سنت به تجدد است نقد مدرنیته از چه دیدگاهی باید باشد؟ پست مدرنیته در چه معنایی قرار می گیرد؟ اگر هنر ما به دلایل مشخص، مدرنیسم را هنوز درونی نکرده است فراتر از آن به کجا می رود و به سوی کدام هدف؟ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖
  • 365 17 5 days ago
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🔺️Bridgit (2016)🔺️#CharlotteProdger🔺️
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#TurnerPrizeWinner 2018
A series of short clips filmed on an iPhone featuring the Scott...
  • . 🔺️Bridgit (2016)🔺️ #CharlotteProdger🔺️ ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖ #TurnerPrizeWinner 2018 A series of short clips filmed on an iPhone featuring the Scottish countryside from a train window, a T-shirt on a radiator and a cat pawing at a lamp has helped Charlotte Prodger win the 2018 Turner prize. Prodger, 44, won for her solo exhibition at the Bergen Kunsthall in Norway, which featured two film works, Bridgit and Stoneymollan Trail. The 32-minute film Bridgit has been on display at #Tate Britain as part of its Turner prize exhibition. The film is difficult to explain. There is lots going on, a lot of it apparently randomly. It explores class, gender, sexuality and neolithic goddesses. Prodger filmed the work over the course of a year and included footage of her at home and on her travels. Her narration includes snatches of autobiography. Alex Farquharson, director of Tate Britain said the jury felt Bridgit was “incredibly impressive in the way that it dealt with lived experience, the formation of a sense of self through disparate references”. He said the work evoked traditions in landscape art and had psychological weight. “It ends up being so unexpectedly expansive. This is not what we expect from video clips shot on iPhones.” ➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖➖
  • 443 22 7:01 PM Feb 4, 2019
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  • 81 4 8:54 PM Jan 30, 2019
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  • 57 4 8:54 PM Jan 30, 2019
  • As true as day itself.
  • As true as day itself.
  • 81 6 4:27 PM Aug 19, 2017